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天地交泰,万物复苏。周易“泰”卦这样描述大地回暖的时序变化,所以古人推定四时,就将这一通泰之象与春天配位合于一处,给出的是春天草木绽放、生机勃发的生命意象。繁花似锦,欣欣向荣,既是春天的足迹,也是春天生命的基调。在花鸟画坛,历代画家多在这一基调上抒发己见,意象境界各有不同。田雨霖先生有感于自然造物的奇巧美好,取象于春天的郁勃葳蕤,笔墨落在了春光曳地、清澈明朗的审美意象上。
World peace, everything recovery. The Book of Changes “Thai ” hexagram thus describes the time sequence of the warming of the earth. Therefore, when the ancients assumed the 4 o’clock position, they combined the image of Tongthai with that of the spring to give a vivid image of the life that bloomed in spring and flourished. . Flourish, thriving, both the footprints of spring, but also the tone of spring life. In the flower-and-bird painting altar, many ancient artists express their opinions on this keynote, and their images have different realms. Mr. Tien Yau-lin feels kitsch of nature’s creations, looks like the blooming of spring, his pen and ink fall on the image of the spring, the clear and clear aesthetic image.