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本文详细考查了川剧《遇害狂潮》在国内的接受史,并将其与原著进行对比分析,力图在研究其本土化过程中探寻其对中国戏剧的借鉴意义。
This article examines the acceptance history of the “Murderous Tide” in Sichuan and compares it with the original works in an attempt to find its reference to Chinese drama in the process of its localization.