中国画是中国最具代表性的绘画样式,并在民国时期迎来了史上最全面、最深刻的一次变革。而西学东渐正是这次变革的主题。因为当时的画家、流派众多,所以在西学东渐的具体观点上也有着明显的不同。鉴于此,本文从当时中国画的发展背景谈起,就该种思想的表现和运用进行了具体的分析,以期获得更加深刻的认识。 Chinese painting is the most representative style of painting in China and ushered in the most comprehensive and profound reform in the history of the Republic of China. Eastward Westward Learning is precisely the theme of this revolution. Because at that time, painters and schools were numerous, so there was a clear difference in the specific viewpoints of learning from the West. In view of this, this article from the background of the development of Chinese painting at that time, on the performance of this idea and the use of a specific analysis, with a view to gaining a deeper understanding.