本文就金志仁对《诗经·卫风·硕人》描写美人之比喻的“求疵”进行了商榷,认为根本无“疵”可言,而恰恰是开启了后世博喻写美人的先河,是中国优秀文学艺术传统的具体体现。此外,通过重温陈望道先生关于“譬喻”的界定,进一步强调了比喻的核心问题乃在于本体与喻体的“类似点”,而不是别的,从而从根本上否定了“求疵”之说,肯定了《硕人》美人之喻的审美价值。 This article discusses Jin Zhiren’s “flaws” of depicting beauty in The Book of Songs by Wei Feng, and concludes that there is no “flaw” at all. The concrete manifestation of excellent literary and artistic traditions. In addition, by revisiting Mr. Chen Wangdao’s definition of “metaphor”, he further emphasized that the core issue of metaphor lies in the “similarities” between ontology and the metaphor, rather than anything else, which fundamentally negates the “defect” , Affirmed the aesthetic value of “Shuo Ren” beauty metaphor.