中国戏曲,这个世界艺坛上独树一帜的民族艺术瑰宝,在被“四人帮”摧残得奄奄一息之后,三年多来,又重新在党的“双百”方针指引下,于“一片白茫茫大地真干净”的废墟上复苏了。它又以其丰富多彩的内容、人民喜闻乐见的形式受到了广大群众的欢迎。但是,在新的形势下,它也产生了新情况,碰到了新问题。它应该如何延续它的第二次生命?如何与当前这个崭新的时代相结合,继续走它那灿烂辉煌的道路呢? 最近,在北京举行的全国戏曲剧目工作座谈会上,来自二十九个省、市、自治区的 Chinese opera, the unique national art gem in this world art scene, has been reborn under the “double hundred” principle of the party for more than three years after it was dying by the “gang of four” "The ruins on the recovery. It is also welcomed by the broad masses with its rich and colorful content and the popular form of the people. However, under the new situation, it also created new situations and encountered new problems. How should it continue its second life? How to combine with this new era to continue its magnificent road? Recently, at the national opera repertory work conference held in Beijing, twenty-nine Provinces, municipalities and autonomous regions