在我的书法创作中,楚简帛书体作品占了一定比重。楚简帛书体是介于篆书体至隶书体发展之间的文字字体,大慨“七分篆三分隶”吧。楚简帛书法创作的条条框框限制相对较少,在创作时很少受束缚;既有篆书的高古,又兼具隶书的灵动和潇洒快捷的书写性。我选择楚简帛书体作为主攻书体,在一定程度上体现了我的审美取向和骨子里潜意识的文人性格。楚简帛的发掘无疑是二十世纪文化、艺术、考古界的重大发现。楚简帛 In my calligraphy creation, Chu silk book volume accounted for a certain proportion. Chu silk book body is between the seal body to the development of the script body font, big generous “seven points Zhili”. There are relatively few restrictions on the writing of Chu Bamboo Calligraphic writing, and are seldom restrained in their writing. Both the high ancient calligraphy and the clever writing skills of the official script. I chose Chu silk book body as the main book body, to some extent, reflects my aesthetic orientation and the subconscious scholar personality. The discovery of Chu silk is undoubtedly a major discovery of culture, art and archeology in the twentieth century. Chu silk silk