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对大海最初的向往,完全源于文字。或许我们都曾有过这样的经历:仰起头掷地有声地高喊着“世界上最宽阔的是海洋,比海洋宽阔的是天空,比天空更宽阔的是人的心灵”。似乎每喊一次,就距离那无限向往的大海更近一些。再后来,见到大海,神秘褪去,似乎又没那么美了。于是又喜欢上翻开书“读海”的感觉,海明威笔下出海打渔的倔强老人,希腊神话里未浸入冥河的阿喀琉斯之踵、俄底修斯漫长的海上归途……觉得任何与海有关的文字内容,都美过大海本身。其实,没有任何一种语言能够道尽世界真相。Andrey Narchuk的作品,有海洋植被,有规模浩大的鱼群,也有海底动物的“萌态”。看到这些作品,脑海中关于大海的文字记忆也都变得生动起来。
The initial yearning for the sea is entirely based on words. Perhaps we have all had the experience of shouting: “The widest sea in the world is the ocean. It is the sky wider than the ocean and the human mind wider than the sky.” It seems that every time you call it, you are closer to the infinite sea of desire. Later, to see the sea, mysterious fade, it seems not so beautiful. So they like to open the book “read the sea ” feeling, Hemingway pen and paper fishing stubborn old man, Greek mythology is not immersed in the Stygian Achilles heel, the long end of the sea Odysseus return home ... I feel that any text related to the sea, the United States over the sea itself. In fact, no single language can tell the truth of the world. Andrey Narchuk’s work, there are marine vegetation, a large fish, but also the “adorable” of sea animals. See these works, mind memory of the sea have become vivid.