『刻石书法』的单独提出是近几年的事,其与广义的『碑系书法』涵盖面接近,却又不尽相同,因为它只限于刻石。这里说的『碑系书法』即一般意义的『碑学』,习惯上,人们把『帖学』以外的(简牍、帛书之类也应除外)、以刻铸为主要表现形式的一类书法,统称为『碑学』。而严格讲,『碑学』属于学科名词,并非单一的作品属性分类,因此,将此类作品称为『碑系书法』较为客观。那么,『碑学』则应是研究碑系书法的学科。『刻石书法』乃各历史时期之当时,专意镌刻于石材上的、具有特定实用意义和一定艺术价值的刻石文字。无论是书丹、摹勒或者书家、工匠直接刻石之上 The separate presentation of “Engraved Stone Calligraphy” is a matter of recent years. It has close coverage but not the same coverage as the broad “Calligraphy Calligraphy” because it is limited to carving stone. The “calligraphy of the calligraphy” here refers to the “tablet study” of the general meaning. Traditionally, people have used “carving as the main form of expression” other than “calligraphy” (except bamboo slips or silk slips) Calligraphy, collectively referred to as “tablet study.” Strictly speaking, “tablet study” belongs to subject terms. It is not a single attribute classification of works. Therefore, it is more objective to call such works “calligraphic calligraphy”. Well, “tablet study” should be the discipline of calligraphy study. “Carved stone calligraphy” is the engraving stone engraved on stone at the time of each historical period, which has particular practical significance and certain artistic value. Whether it is the book Dan, Miele or scholar, craftsmen directly above the stone