光色中的毛兄我和毛老师常一道外出写生,他写生时讲得最多的是“色”“光”“情”三字。细观其作品,沉着厚实,灵透着源自对象微妙的色彩关系,色调平实动人,总能将观者带进某种氛围。毛老师作品的现场感非常强,罗中立先生曾感叹写生最难在现场感的表达,没有大量写生实践是难臻化境的。看毛老师写生是种享受,画笔自由洒脱地游走,心手相随,无拘 Mao brother in light color, and I often go out to write a sketch with Mr. Mao, the most talked about in his life is “color ” “light ” “love ” words. Looking at the work, calm and thick, revealing the subtle color relationship stems from the object, the color is moving, the viewer can always bring some atmosphere. Mr. Mao’s work is very strong on the spot. Mr. Luo Zhongli once lamented the fact that sketch writing was the hardest to express on the spot. Without a large amount of sketching practice, it is difficult to change the scene. To see the hair painting is a kind of enjoyment of Mr. Mao, brush free and easy to walk, hand in hand, free form