“样板戏”是一种独特的历史文化形态,“八亿人口,八个样板戏”,足以表明它是“文革”时期最为突出的文艺现象。然而对“样板戏”的探索受到情绪①及其他原因的影响,还未能进行深入研究。在以客观、辩证的学术眼光来观照“样板戏”时,论者多从传统与现代的变革角度来解读,提出 “Model Opera” is a unique form of history and culture. “800 million people and eight model plays” are enough to show that it is the most prominent literary phenomenon during the “Cultural Revolution.” However, the exploration of “model opera” is affected by the emotions (1) and other reasons, and further research has not been conducted. In the objective and dialectical academic view of the “model opera”, many scholars from the perspective of the transformation of traditional and modern interpretation, put forward