意境,是我国古典美学中一个极富民族特色的概念。这一概念始见于托名唐朝王昌龄所作的《诗格》:“诗有三境:一曰物境。欲为山水诗,则张泉石云峰之境,极丽绝秀者,神之于心,处身于境,视境于心,莹然掌中。然后用思,了解境象,故得形似。二曰情境。娱乐愁怨,皆张于意而处于身,然后驰思,深得其情。三曰意境。亦张之于意而思之于心,则乃其真矣。”由此可以看出,意境从一开始便被古典美学奉 Artistic conception is a very nationalistic concept in Chinese classical aesthetics. This concept was first seen in the poetic version of the famous Tang Dynasty Wang Changling: “Poetry has three borders: one is the object. If you want to be a landscape poem, then you will be in the realm of Zhang Yun Shi Yunfeng. When you are in the environment, you see the world in your heart, and you’re in the palm of your hand. Then you use your thoughts to understand the environment and you have to be in a similar shape. The second situation is the situation, the entertainment and the grievances, all of them are in the mind and are in the body, and then they are thoughtful and won their love. “Artistic conception. It is also true that Zhang Zhi is intent on thinking and thinking about the heart.” From this it can be seen that the artistic conception was enshrined in classical aesthetics from the very beginning.