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一、当前国产电影的灵魂缺失中国电影的当下精神困境是由“第五代”们埋伏下的。虽然,我们应该充分估价20世纪80年代出现的一批优秀电影在中国电影史上的独特贡献,以及张艺谋、陈凯歌、张军钊们的可贵艺术探索和追求。通过令人耳目—新的影象造型和独到内涵,他们的某些作品在中国电影史上不啻为空谷足音,电影在他们那里成了表达对民族命运和文化反思的媒介,中国电影终于有了“文化”。换句话说,在—个有关民族、历史、人及人类的“宏大叙事”背景之下,他们的影片多表现为对于人和人的
First, the current lack of soul of domestic movies The current mental dilemma of Chinese movies is ambushed by the “fifth generation”. Although we should fully value the unique contributions made by a group of excellent films appearing in the 1980s in the history of Chinese cinema and valuable art exploration and pursuit by Zhang Yimou, Chen Kaige and Zhang Junzhao. Through its impressive new image styling and unique content, some of their works are not forgotten in the history of Chinese cinema, and the film has become a medium for them to express their national destiny and cultural introspection. Chinese films finally have the “ culture”. In other words, in the context of a “grand narrative” of nations, history, people, and humans, their films are often shown to be human and human