音乐的属性关于时间,对声音体验则是失序的,即时发生又随机消隐。人类对其认知被压制在视觉经验之下,遭到依赖与漠视的,此刻又再度被唤醒。策展人姚大钧对“声纳(SONART)”的构想已经在不同的场合实现过。其发生的场所从演出场所到学院再到美术展览空间,它对媒介使用的开放态度在今天看来确实对多媒体、新媒体艺术具有启发含义。而在“转速:中国声音艺术大展”中,2003 The attributes of music about time, the sound experience is out of order, instant and random blanking. Human cognition is suppressed under the visual experience, was dependent on and indifferent, now awakened again. Curator Yao Dajun’s idea of ​​“Sonar” has been realized on different occasions. Its place of occurrence, from the venue of the show to the academy to the space of art exhibitions, its openness to the use of media today does seem to have implications for multimedia and new media art. In the “speed: China Sound Art Exhibition”, 2003