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汉斯·威尔纳·亨策(Hans Werner Henze,1926～)是二战后德国最重要的作曲家之一。在20世纪的西方音乐史上,亨策是一位比较独特的大师。他不以技法的激进而著名,也难以归为某一具体的音乐流派。在他的和声体系中,三音固定的“移动和弦”占有重要的地位。其独特的结构方式及在作品中广泛系统的应用使它具有了传统和声体系中某种“功能”意义。移动和弦的结构特点与功能充分体现了作曲家根植传统、锐意创新的创作观念。“移动和弦”是亨策音乐创作技法和风格特征的一个缩影。
Hans Werner Henze (1926 ~) was one of Germany’s foremost composers after World War II. In the twentieth century in the history of Western music, Heng Ce is a more unique master. He is not famous for the radicalization of technique and can hardly be classified as a specific genre of music. In his harmony system, the three-tone fixed “chord” occupies an important position. Its unique structure and its wide range of applications in the works make it have some “functional” meaning in the traditional harmony system. The structural features and functions of the moving chord fully embody the creative concept of the composer rooted in tradition and keen on innovation. “Move Chord ” is a microcosm of Henze’s musical technique and style.