《人·鬼·情》的“黑丝绒效果”戏曲表演有独特的魅力。演员的舞蹈化了的虚拟动作同时也能虚拟出环境气氛,戏曲演员是带着景上场的。难怪,传统戏曲舞台根本不需要布景。后来的所谓“样板戏”反其道而行之,一味追求写实布景。象《智取威虎山》里“打虎上山”一场,扮演杨子荣的演员在舞台上“穿林海,跨雪原”,背景是一片尽管实得不能再实,但却是纹丝不动的死布景。这样一来,策马扬鞭的演员 The “black velvet effect” drama of “Ghost · Love” has unique charm. The actors’ danced virtual action can also simulate the atmosphere of the environment, and the opera actress takes the stage with the scene. No wonder, traditional drama stage does not need scenery. Later, the so-called “model opera” instead of doing so, blind pursuit of realistic scenery. Like “Chi take Tiger Mountain” in the “tiger uphill” a play, actor Yang Zirong act on the stage, “wearing Linhai, across the snowfield,” the background is a piece of reality can not be true, but it is motionless death scene. As a result, the whip actor