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艾诺约哈尼·劳塔瓦拉是芬兰继西贝柳斯之后最著名的作曲家之一,作品涉猎音乐领域中的各种形式及类型。在他的作品中既体现出作为现代作曲家的思维方式、写作技术以及独特的音乐语言,又在追求“旋律”的同时,体现出与众不同的音乐个性;他的音乐既具备前沿、前瞻性,又有着极强的可听性。本文就劳塔瓦拉2008年创作的打击乐协奏曲《咒语》,围绕主题音高材料、纵向音响与横向声部结合,以及节拍、节奏的运用特点等方面加以分析、归纳,从中找到作曲家对音乐的理解、音响的追求、声部的处理等方面特点所在。
Einoyo Hani Latuwala is one of the most famous composers in Finland after Sibelius and is based on various forms and genres of music. In his works, he not only embodies the modern composers’ ways of thinking, writing techniques and unique musical language, but also pursues the “melody” while embodying distinctive musical personality. His music has both frontier , Forward-looking, but also has a very strong audibility. In this thesis, we analyze and summarize the “Percussion” Percussion Concerto “Made by La Tohvara” in 2008, focusing on the theme of pitch material, the combination of vertical sound and horizontal part, and the characteristics of beat and rhythm. Music understanding, the pursuit of audio, the Department of the Ministry of processing features and so on.