“明堂:《立春》一画我觉得应从早晨八九点钟时光为色彩基调,分三部分处理,下面处在另外山林的影子里,可虚些重些,以墨为主,中间部分处理在阳光下,远处山头上有麦地,可用点春天的绿色。”这是写于一张赵益超﹑张明堂两人共用的名片上的一段话,所说的《立春》是赵益超﹑张明堂准备为全国九届美展而创作的一幅画。当时 “Ming Tong:” Spring “a painting I think the time from eight or nine o’clock in the morning for the color tone, divided into three parts, the following is in the shadow of another mountain, some more virtual, ink-based, the middle part of the treatment In the sunshine, there are cornfields in the distant hills, and spring greens can be used. ”This is a passage written on a business card shared by both Zhao Yi-chao and Zhang Ming-tang. Zhao Li-chao, Zhang Ming Tong prepared for the National Art Exhibition of the nine paintings created. then