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清代乾隆时期,是我国琢玉工艺高度发展阶段,当时曾制造出一批精妙绝伦的玉器,现在故宫博物院历代艺术馆展出的白玉《桐荫仕女图》就是其中之一。白玉《桐荫仕女图》,玉质精美,莹润如凝脂。它原是做玉碗取坯后剩下的一块玉材,玉工精心设计,在中间雕成一圆月形洞门,嵌入屏门四扇,中部留出门缝一道;门外一人手持鲜花,门内一人手捧圆盒,两人各立于门侧可通过门缝相望。这块玉表皮原有红色的天然浸,匠师巧妙地把这片红浸琢成茂密的桐荫蕉丛和叠石假山,并有洁
During the Qianlong period of Qing Dynasty, it was a highly developed stage of China’s jade carving process. At that time, a batch of exquisite jade articles were created. Now the white jade carving of “Yung Yin Ladies” exhibited by the Museum of Ancient History of the National Palace Museum is one of them. White jade “Tong Yam Ladies figure”, jade exquisite, Yingrun as creamy. It was originally made of jade bowls billet left after a piece of jade, jade carefully designed in the middle carved into a moon crooked door, embedded screen four, leaving a door in the middle of a door; one hand holding flowers outside the door Within a hand holding a round box, two people standing on each side of the door through the door can be seen across. This piece of jade skin original red natural dip, craftsmen skillfully put this piece of red dipped into lush Tong Yin banana clumps and rockery rockery, and Jie