论文部分内容阅读
关于革命与文学的思考,贯穿了鲁迅的后半生,他时而以革命为本位,时而以文学为本位,思考呈现出复杂的状态。对叶赛宁之死的关注是鲁迅思考文学与革命关系的一个焦点,鲁迅从叶赛宁之死中看到了诗人与革命之间难以挣脱的悲剧性宿命。鲁迅认为自己就象叶赛宁一样并不是新时代的弄潮者,他属于旧的时代,在革命中扮演的就是叶赛宁式的悲喜剧角色,自己的生命价值就在于以悲剧之结束昭示革命时代的到来。通过苏联革命这面镜子来思考中国革命的问题并探寻中国新文艺的出路,是鲁迅晚年思想的一个重要方面。
The thinking on revolution and literature runs through the latter half of Lu Xun. From time to time, he takes the revolution as the standard, and from time to time takes the literature as the standard, thinking and presenting a complex state. Concern about Yesenin’s death is a focus of Lu Xun’s thinking on the relationship between literature and revolution. From the death of Ye Seining, Lu Xun saw the tragic fate that was hard to break free from poet and revolution. Lu Xun believed that he was not a trendy man in the new era just like Yesenin. He belonged to the old era. He played the role of Isanain’s tragedy and comedy in the revolution. His own life value lies in declaring the arrival of the revolutionary era with the conclusion of the tragedy. It is an important aspect of Lu Xun’s thinking in his later years to think through the mirror of the Soviet revolution the issue of the Chinese revolution and explore the way out for new Chinese literature and art.