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何其芳的《墓》以其细腻的文风,缥缈的希望与恬淡的愁思呈现出一种略带沉郁的失落感。而文中主人公铃铃与雪麟情感世界所折射的忧伤与落寞虽有共通之处,但这种情感指向在本质是却是异质的精神世界错位。一个源自精神原乡的乌托邦想象追求,一个则是斥诸现实的乌托邦世界幻灭后的迷茫与焦虑。在各自的精神诉求中充当着精神想象世界中的他者。
He Qifang’s “tomb” presents a slightly gloomy sense of loss with its delicate style of writing, the hope of shyness and the tranquil sadness. However, there are commonalities between sadness and loneliness reflected in the hero bell and the snowy world of emotion, but this kind of emotional orientation is misplaced by the heterogeneous spiritual world in essence. One is the utopian pursuit of pursuing spiritual origins and the other is the confusion and anxiety after exterminating the real utopian world. In their respective spiritual demands, they act as the others in the spiritual imagination world.