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在今天,图像可以说是无处不在。甚至有人宣称我们的世界就是个图像世界,海德格尔早在上个世纪三十年代就预示着世界图像时代的来临,“世界图像并非意指一幅关于世界的图像,而是指世界被把握为图像了。”所以,把今天的时代称为图像时代或读图时代并不为过。自然,我们的文学也难逃图像的侵袭。因此,不少的文学理论研究者谈“图”色变,认为文学正在被大规模地图像化,而原本属于文学的领域正逐渐被图像蚕食鲸吞。有些悲观的学者甚至抛出了
Today, images are ubiquitous. Some people even claim that our world is an image world. Heidegger foreshadowed the advent of the world image age as early as the 1930s. “The image of the world does not mean an image of the world but the world To grasp the image. ”So, the era of today as the image age or the age of the drawing is not an exaggeration. Naturally, our literature can not escape the invasion of images. Therefore, quite a few literary theory researchers talk about color change, believing that literature is being imaged on a large scale and that areas originally belonging to literature are gradually being eroded by images. Some pessimistic scholars have even thrown it