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前言戴望舒(1905—1950)论诗的材料不多,主要见于先后两次发表的《诗论零札》。第一次十七条,原称《望舒诗论》,1932年刊于《现代》第二卷第一期①,1933年收入《望舒草》时易名为《诗论零札》②,1937年再收入《望舒诗稿》时删去第四条,存十六条③。第二次全新改写为七条,亦称《诗论零札》,1944年刊于香港《华侨日报·文艺周刊》④。为了表述的方便,我们仍将前者称为《望舒诗论》,后者则称为《诗论零札》,以示区别。《诗论零札》在
Preface Dai Wangshu (1905-1950) on the poetry is not much material, mainly seen twice in succession, “Poetry Zero Sapporo.” The first 17, formerly known as “Wang Shu poetry”, published in 1932 in the second volume of “modern” the first period ①, 1933 income “Wang Shu grass” when renamed as “poetry zero Sapporo” ②, In 1937 and then income “Wang Shushi poems” delete Article IV, save sixteen ③. The second rewrite of seven, also known as “Poetry Zero Sapporo”, published in Hong Kong in 1944, “Overseas Chinese Daily · Art Weekly” ④. For the convenience of expression, we will still refer to the former as “Wang Shu poetry theory”, while the latter is called “Poetry Theory Zero Sapporo” to show the difference. “Poetry Zero Sapporo” at