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魏晋南北朝三百余年间,作为文字书写艺技的“书法”得到了高度的重视,呈现前所未有的繁荣景观。魏晋时代新体的草、行、楷书为士族阶层所接受,成为士流私人间书写交流的时调,是新书风形成的重要标志,并在南北朝时期发展壮大。本文通过对魏晋南北朝时期的政治、文化、信仰等方面研究分析,剖析该时期书法名家“二王”在书法史中立身依据,对今后的学习起到理论指导帮助。
During the more than three hundred years of the Wei, Jin and Southern and Northern Dynasties, “calligraphy” as a writing technique for writing has been given a high priority and shows an unprecedented prosperity. The new style of the Wei and Jin dynasties was accepted by the grass-roots as a grassroots, regular and regular script. It became the keynote of the exchange of writing and writing among the private individuals in the Wei and Jin Dynasties. It was an important symbol of the formation of the new book style and developed and expanded during the Northern and Southern Dynasties. This article analyzes the politics, culture and belief in the period of Wei, Jin, Southern and Northern Dynasties. It analyzes the basis of calligrapher ’s “Two Kings” in calligraphy history and helps to guide the study in the future.