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西周至春秋时期,奴隶主贵族文化经过充分发展,居住于各个区域的居民已经形成成熟的人物审美观念。表现在《魏风》、《唐风》中的人物审美观念与魏、晋两地的地域文化和时代精神有着密切关系,与《诗经》中的其他地域诗歌中的人物审美观念相比,既存在贯通性,也存在独特之处。这说明魏、晋地所在的河汾文化区作为黄河文化圈的一部分,既有与其他文化区在文化上的相似性、一致性,又存在明显的区别,这正是早期华夏文化既有共性又有个性的一个侧面反映。
During the period from the Western Zhou Dynasty to the Spring and Autumn Period, after the slave-owners aristocratic culture developed sufficiently, the inhabitants living in various regions have formed mature aesthetic concepts. The aesthetic ideas of the characters in Wei Feng and Tang Wind are closely related to the regional culture and the spirit of the times in Wei and Jin dynasties. Compared with the aesthetic ideas of other characters in the poetry of the Book of Songs There is continuity, there are also unique. This shows that Weihe and Jindihe, as the part of the Yellow River cultural circle, have the similarities and differences in their cultural similarity and consistency with other cultural areas. This is exactly the same as the early Chinese culture Another aspect of personality reflects.