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乔治·卢卡契(1885—1971)这个名字,对我国今天40岁以上的读者说来并不陌生.这位匈牙利现代杰出的哲学家、美学家、文学史家和文学理论家,从20年代初到60年代末的半个世纪中,在苏联和东欧各国曾屡遭批判.我国文艺界从60年代初开始,将卢卡契当作“批修”的“活靶子”,不时地对他进行“口诛笔伐”.其实,卢卡契一生的思想虽杂然纷呈、良莠不齐,但他“自从成为共产党人和马克思主义者以来,直至生命的终结,始终不渝地捍卫和继续发展马列主义的经典遗产”.卢卡契关于作家应树立进步世界观的思想,就是他在继承、捍卫和发展马克思主义文艺理论遗产方面做出的一大贡献.
The name George Lukacs (1885-1971) is no stranger to today’s readers over the age of 40. The Hungarian contemporary outstanding philosopher, esthetician, literary historian and literary theorist, from the early 1920s During the half-century to the late 1960s, it was repeatedly criticized in the Soviet Union and Eastern European countries. Since the early 1960s, our literary and art circles have used Lukacs as a “living target” for “approval” and from time to time In fact, although Lukacsch’s thought of his life was mixed and varied, he “since the Communists and Marxists, until the end of his life, has unswervingly defend and continue to develop the classic heritage of Marxism-Leninism ”Lukacs’ idea that writers should establish a progressive world outlook is a major contribution he has made in inheriting, defending and developing the legacy of Marxist theory of literary theory.