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我们应该看到,20世纪80年代以来,中国小说的创作迅猛发展,作品层出不穷,相应的小说理论批评也出现了空前繁荣的景观,小说创作与小说评论出现了交织并行的趋势,无疑,这是当代中国文学发展过程中很是良好的态势。但由于受“西学东渐”、思想自由、大众文化泛滥、市场经济以及个人表达欲望强烈等诸多因素的影响,虽说小说研究打破了传统单一的批评模式,呈显出多元化、多角度、多思维的景观,但至今为止,我个人认为,
We should see that since the 1980s, the creation of Chinese novels has been developing rapidly and works are endlessly emerging. The corresponding theoretical criticism of the novels has also seen the unprecedented prosperity of the landscape. There is a tendency that novels and novels are intertwined with each other in parallel, The development of contemporary Chinese literature is a very good situation. However, influenced by many factors such as “Eastward Expansion of Western Learning”, freedom of thought, proliferation of popular culture, market economy and strong desire for personal expression, although novels criticized the traditional single mode of criticism, they showed diversified and multi-angle , Multi-thinking landscape, but so far, I personally think,