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本文对宁夏固原须弥山石窟总体造像艺术审美特征,及其形成进行论述。重点分析造像艺术审美特征与表现技法的内在与外在两方面的动态变迁过程。主要包括两个方面。一方面由外来佛教教义、典籍等对于佛教思想形而上的抽象;另一方面是须弥山石窟造像艺术历经千年富于时代特色的样式,从“秀骨清像”“张家样”到“水月观音”等形而下的具象。两者共同形成了须弥山石窟审美特征与表现技法的变迁。
This article discusses the aesthetic characteristics of the overall statues of the Xuyi Mountain Grottoes in Guyuan, Ningxia, and their formation. It focuses on analyzing the process of the dynamic change between the intrinsic and the external aspects of the aesthetic characteristics and expression techniques of the figurine art. Mainly includes two aspects. On the one hand, metaphysical supremacy is abstracted from Buddhism and scriptures of Buddhism on the one hand, and on the other hand is the style of art of Xu Mi Shan Grottoes after thousands of years rich in the style of the times, from “Xiu Guqing” To “Water and Moon Guanyin ” such as the shape of the next image. The two together form the changes of the aesthetic characteristics and performance techniques of the Xusmi Mountain Grottoes.