【摘 要】
：
由于自元朝以来的政治、战争等因素导致的蒙古族与汉族等民族的大融合,引发了明清时期蒙古族立体造型艺术发展状态的转变。这一转变体现在了题材、内容、形式、材料等各个方
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由于自元朝以来的政治、战争等因素导致的蒙古族与汉族等民族的大融合,引发了明清时期蒙古族立体造型艺术发展状态的转变。这一转变体现在了题材、内容、形式、材料等各个方面。当今时代,在民族交流、融合大背景下的蒙古族立体造型艺术的境遇与其在明清时期的境遇十分相似。对比之下进行剖析,当代蒙古族立体造型艺术的发展该走向何方?
The great integration of Mongolian and Han nationalities led by political and war factors since the Yuan Dynasty triggered the transformation of Mongolian stereoscopic arts in the Ming and Qing Dynasties. This change is reflected in the theme, content, form, materials and other aspects. In the modern era, the situation of Mongolian three-dimensional plastic arts under the background of ethnic exchanges and integration is similar to that of the Ming and Qing Dynasties. In contrast, the analysis of contemporary Mongolian three-dimensional modeling art development to where?
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