电影改编并不是一个新话题,从电影开始具有叙事功能起至今,文学与电影已经走过了百年互相制约、互相促进的历史。笔者试图从后现代主义与大众文化合流这样一个特定的语境切入时下比较盛行的改编方法,试图为从文学到电影的改编研究开辟一个新的角度。 Film adaptation is not a new topic. From the beginning of the movie has narrative function, literature and film have gone through a century of history of mutual restraint and mutual promotion. The author attempts to cut off the adaptation method nowadays from a specific context such as the combination of postmodernism and mass culture, trying to open up a new perspective for the study of adaptation from literature to cinema.