走进民间艺人王传琴的纸扎艺术工作室时,老人正向两个女儿传授技艺。案头堆放着各种绢布、各色彩纸,老人手拿剪刀,在为一个古代戏曲中的人物做最后的装扮,女儿们站在一旁仔细地观看父亲制作,不时打打下手。王传琴老人的工作室很宽敞,整面墙壁上悬挂着他的国画作品。他擅长梅竹题材创作,作品中梅竹居多,却无重复单调之感。除此之外,占据工作室半壁江山的是他精心制作的纸扎作品。纸扎的人物、 Into the paper art studio Wang Chuanqin folk artists, the elderly are teaching their skills to two daughters. The desk was packed with various kinds of silk drapery, colored paper, old man’s hand scissors, the last dress for a figure in an ancient drama, the daughters stood watching carefully his father making, playing from time to time. Wang Chuanqin The studio for the elderly is spacious, with his paintings hanging from the wall. He is good at Mei Zhu theme creation, Mu Mei works mostly, but no sense of repetitive monotonous. In addition, half of the studios occupy his well-crafted paper jam. Paper people,