一、浓郁的乡土气息、浓厚的地方特色,是刘绍棠小说艺术风格的一个重要组成部分。 刘绍棠自称是一个“土著”,这是他对自己的写真,因为他的作品几乎都是取材于自己的家乡,而且又都是用传统的表现方法描绘家乡风土人情的。这就注定了他的作品脱不了“土气”,当然这里所说的“土气”是指具有浓郁的地方色彩,而不是低劣、粗鄙的东西。我们看一下他的《蒲柳人家》:望日莲去运河滩上打柴,为了避嫌,要带上小满子;七夕之夜,她烧起三柱高香,在朦胧的月光下穿针引线,求月老儿保佑她婚姻如愿。此外,望日莲的情人周檎与其他人如何商议打鬼子、除汉奸,摆渡人柳罐斗在“鬼节”那 First, strong local flavor, strong local characteristics, is an important part of Liu Shaotang’s artistic style. Liu Shaotang claims to be an “indigenous”, which is his portrait of himself because his works are almost always drawn from his hometown, and all portray the customs of his hometown by traditional means of expression. This is doomed to his works can not take off “rustic”, of course, here referred to as “rustic” refers to a strong local color, not inferior, vulgar things. We look at his “Po Liu people”: Wang Ri Lian to the canal beach firewood, in order to avoid suspicion, to bring a small full son; Tanabata night, she burned three high incense, in the hazy moonlight, Old child blessed her marriage wish. In addition, Wang Ritual’s lover Zhou Xun and others discuss how to fight the devil, except traitors, ferry people willow pot fight in the “Ghost Festival”