我把册页设为传统蝴蝶装,而左右打开时我期望左右内容具有关联性、叙述性。少时学习宋人佚名《百花图卷》的点滴记忆拢上心头,游丝般婉转的线条勾勒,融入墨色青烟迷蒙之中,相互掩映,相互挑动,顾盼生姿,非内心极其细腻敏感之人不能及。我的绘画受此类精微回转之气的作品诸多影响。册页右侧以细笔白描方式描绘折枝桃花零星一两朵,而册页左侧以粉色代墨,绘成此作。借蝴蝶册页的形式,勾联古典传统与当代意向之间的递进关 I set the album as a traditional butterfly, and when I’m about to open it, I expect content to be relevant and narrative. Less time to learn Song Anonymous “Hundred Flowers” volume of memories on the heart, graceful gossamer lines outlines, into the dark smoky ink, mutual set off, mutual provocation, stare, non-heart extremely delicate sensitive people can not and. My paintings are affected by the works of such subtle rotations. The right side of the album with a fine white pen depicting the broken branches peach sporadically one or two, while the album on behalf of the pink ink on the left, painted as this. By the butterfly album in the form of a combination of classical traditions and contemporary intention of progressive relations between