研究作为历史存在的“‘文革’文学”，不能不注意“样板戏”。在20世纪后期中国戏剧史上，曾被捧扮成“无产阶级文艺的最高典范”的“样板戏”，占据着相当特殊也十分惹眼的位置。作为特定时代意识形态权力话语背景下的精神产品，“样板戏”在大力表现英雄男角的同时，也塑造? As a historical “literature of the Cultural Revolution”, we must pay attention to “model opera”. In the history of Chinese drama in the late twentieth century, the “model opera” that had been taken up as “the supreme paragon of proletarian literature and art” occupies a rather special and conspicuous position. As a spiritual product in the context of the ideological power discourse in a particular era, the “model opera” is also shaped by vigorously displaying heroic male horns.