长期以来,在论及清代性灵派时,研究者往往偏重谈论袁枚及其“性灵说”[1],忽视了性灵派作为清代重要诗歌流派的整体性存在,对这个诗派的整体风貌、内部系统及创作时间缺乏整体审视,也没有进行详细而深入的细致分析,其实“性灵派研究”还未真正开始,只有在对其内部因素,如成员、诗歌理论、 For a long time, when discussing the gentry in the Qing Dynasty, the researchers tend to focus on Yuan Mei and his “genius and spirit” [1], ignoring the existence of geniuses as the holistic existence of important schools of poetry in the Qing Dynasty, The overall style, the internal system and the lack of overall review of the creation time, nor detailed and in-depth detailed analysis, in fact, “the study of the geniological school” has not really begun, only in its internal factors, such as members, poetry theory,