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一、化旧为新近些年来,天津时调在茶园演出时出现了一种新的现象:[鸳鸯调]、[怯五更]、[悲秋]、[啦哈调]较受观众欢迎.他们感到十分新鲜.殊不知这些传统曲调皆产生于清代,至少也有一百来年了.50年代初,它们因情调不健康,难以表现新的生活、新的人物、新的思想、新的感情而被淘汰出舞台.60年代初,天津曲艺界曾经对时调的传统曲调进行过挖掘、搜集,并于1961年举行了多场传统时调内部观摩演出,演出了20来种曲调.1962年,首届“津门曲荟’的时调专场上演了经过整理并重新填词的[慢板老鸳鸯调]《采莲曲》、[落尺反调]《责婢》、[新鸳鸯调]《闺怨》以及[悲秋]、[怯五更]、[大数子]、[二六板老鸳鸯调]、[小五更]、[拉哈调]、[打孩子]、[叠落金钱]、[落五调]等曲调的传统曲目.此后,也曾经尝试着对这些曲调加以改革运用,但由于“左”的文艺路线的干扰,由于这些曲调很难改革运用,它们仅仅坛花一现,很快就从曲艺舞台上消失了.
First, the old for the last few years, Tianjin tune in the tea garden appeared a new phenomenon: [mandarin ducks tune], [miserable], [Sad Autumn], [La ha tone] more popular with the audience. They feel very fresh.It is not known that these traditional tunes are produced in the Qing Dynasty, at least a hundred years.First early 50s, because of unhealthy mood, difficult to show new life, new characters, new ideas, new feelings were Out of the stage.In the early 60s, Tianjin Qu Yijie once on the tone of the traditional tune mining, collecting, and in 1961 held more than the traditional time-watching internal performance performances, performed 20 kinds of tunes.In 1962, the first “Jin Mencai Hui,” the tone of the tune staged and re-fill the word [Adagio Old mandarin Dunshu] “plucking song”, [stop anti-tune] “blame”, [new mandarin duck tune] “Boudoir” And [Qiu Wu Geng], [Dazu Zi], [Two Old Masters Mandarin Ducks], [Xiao Wu Geng], [Laha Tun], [Playing Children], [Overlapping Money], [ After five attempts to reform and use these melodies, but due to the interference of the “left” line of literature and art, from These melodies are difficult to reform and use, they only spend a few flowers, and soon disappeared from the stage art.