自400多年前莎士比亚的《麦克白》诞生以来,世界各地热演不断。许多学者推测这部戏写于1606年,当时莎士比亚已经是一位很成熟的剧作家。数十年来,西洋歌剧、芭蕾舞剧和中国戏曲也出现了许多不同版本的《麦克白》,其中有不少成功之作。《麦克白》故事性强,包含了当代受欢迎的大众娱乐中的很多元素,剧情发展令人惊心动魄。本文从《大将军和小巫婆》的改编立意、审美选择、表演特点及观众接受情况等方面,论述“洋戏华编”需要考量的各种因素,特别是探讨在改编过程中歌仔戏本体特色的保留与发挥。既保有其通俗性,观众易听易懂,又发扬其包容性,吸收融合新的剧场元素。作为一个较年轻的剧种,歌仔戏的自由性给洋戏华演提供了宽阔的艺术空间。 Since the birth of Shakespeare’s Macbeth more than 400 years ago, thermal shows have been taking place all over the world. Many scholars speculate that the play was written in 1606, when Shakespeare was already a very mature playwright. For decades, there have been many different versions of Macbeth in the Western operas, ballet and Chinese operas, many of which are successful. The story of Macbeth contains many elements of contemporary popular entertainment, and the story is breathtaking. This article discusses various factors that need to be considered in “The Opera of Western Opera” from the aspects of adapting the connotation, aesthetic choice, performance characteristics and audience acceptance of the “Major General and the Little Witches” Characteristics of the reservation and play. Not only retain its popularity, the audience easy to understand, but also to promote its inclusiveness, absorb the integration of the new theater elements. As a younger opera, the freedom of Taiwanese opera offers broad artistic space for overseas Chinese opera.