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四庫館臣在《四庫全書總目·經部總叙》中建構了漢學與宋學雙峰對峙的觀點,二者互争短長,成爲漢代以下經學流變的主要核心。這個觀點提出之後,成爲館臣論述經學的基本論點,不僅影響有清一代,流風所及,民國以來的經學史著述,也莫不深受影響,足見此一觀點已成爲觀察歷代經學發展的典範。本文寫作的重點,不旁涉其他,主要在探討四庫館臣秉持上述漢宋對峙的觀點,如何論述與批評歷代學者研究《尚書》的相關著作,從而建立清朝官方的《尚書》學論點。
In the Sikuquanshujinshuibujiyushu, Siku Museum built the viewpoint of the confrontation between sinology and bimodal songology in Song Dynasty. Both of them were short and long, becoming the main core of the following scholarship in the Han Dynasty. After this viewpoint was put forward, it became the basic argument that the patrons discussed the studies of Confucian classics. It not only affected the generation of Qing Dynasty, but also influenced the history of Confucian classics since the Republic of China. It also shows that this view has become a model for observing the development of Confucian classics in the past dynasties. This thesis focuses not on the others, but mainly on discussing the viewpoint that the Siku museums uphold the confrontation between the Han and Song dynasties. How to discuss and criticize the ancient scholar’s work on the Shangshu so as to establish the official Shangshu academic thesis.