显然,《卡罗尔》是一部靠气味投射的电影,导演将人类的感官世界无限放大。卡罗尔与特瑞斯之间的爱欲夺框而出,外延的辐射力足以吞没观众。劳伦斯·卡斯丹在1981年以一部《体热》将致命的,湿热的情欲昭然若揭。如果说在《体热》中,欲望滋生的土壤源自于迈阿密咸湿的海滩氛围。那么在《卡罗尔》中,纽约阴雨弥漫的天气,朦胧的镜像,则变成了宣泄情 Obviously, “Carol” is a movie projected by smell, the director of the human sensory world infinite zoom. The carnality between Carol and Terris is framed, and the extension of radiation is enough to engulf the audience. Lawrence Castan in 1981 with a “body heat” will be deadly, hot and humid passion clear. If you say in “body heat”, the soil of desire arises from the salty beach atmosphere of Miami. So in “Carol”, New York rainy weather, the shadow of the mirror, then became a catharsis