山歌剧作为解放后新兴的地方剧种,以其不拘一格的开放形式创演和移植了大量剧目,有些剧目在当时曾引起了相当大的轰动,可是能够上演至今的保留剧目,却少得可怜,这不能不说是山歌剧种的一大遗憾。山歌剧之所以很难库存保留剧目,其中因素很多,它在表演样式上的不成型无疑是一大原因。专家们一直在探寻答案,有一点是认同的:照搬传统戏曲程式化的表演是行不通的。 As the emerging local operas after the liberation, the operetta has created and transplanted a large number of repertory programs with its eclectic and open forms. Some repertory campaigns caused quite a stir at that time, but there are few reserved repertoire performances so far This can not but be said that a major regret opera opera. The reason why the opera is hard to keep the repertory of inventory, many factors, it is undoubtedly the performance style is undoubtedly a major reason. Experts have been exploring the answer, one thing is agree: copy the traditional drama programmatic performance will not work.