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北海和青岛两座分别位于中国南部、北部重要的滨海城市,因其特殊的历史地理环境原因,均在19世纪后期,伴随着中国近代史的发展,而成为西方水彩绘画艺术传入中国的重要地点。在100多年的发展中,两座城市的水彩绘画艺术,也在其发展特别是在本土化的进程中呈现出十分鲜明的风格特点,具有较大的差异性。本文力图通过两座城市的水彩画在历史背景、创作理念、艺术语言、代表人物等几个方面的对比探讨,来积极探索西方水彩画在中国本土化进程百年间的若干影响因素。
Beihai and Qingdao, two important coastal cities in southern China and northern China, were all important in the history and geography of the environment in the late 19th century. With the development of modern Chinese history, the important coastal cities became an important point for the introduction of Western watercolor art into China location. In the development of more than 100 years, the art of watercolor painting in the two cities has also shown distinctive style features and great differences in the development, especially in the process of localization. This article attempts to explore some influencing factors of Western watercolor in the centennial course of China’s localization through the comparison of several historical and cultural backgrounds, creative ideas, artistic language and representative figures of watercolor in two cities.