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话剧作为舶来艺术自登上中国舞台之初,便由于政治时事的需求带有强烈的家国情怀。原创话剧作为中国话剧的根基力量,对观众的导向性是不可忽视的。近年来,由于话剧市场的淡薄,越来越多的原创话剧开始走市场路线,忽略了话剧的导向功能,将从主题性原创话剧出发,探析原创话剧在家国情怀上的回归对观众的影响。
As the art of portraying from the very beginning of the stage of ascension to the Chinese stage, drama possesses a strong nationalistic feeling due to the demand of political and current affairs. As the basic force of Chinese drama, original drama can not be neglected to the audience. In recent years, due to the weakness of the drama market, more and more original plays begin to take the market route, neglecting the guiding function of the drama and starting from the thematic original drama to explore the influence of the return of the original drama on the family feelings to the audience.