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在过去约10年时间发表的一系列论文及专著中,新兴的“电影生态批评”领域开始显形。本文回顾迄今为止该领域里的主要发展方向和成就,并为其在未来的长足发展提出建议。文章从多种认知学视角出发,审视(好莱坞)独立制作的通俗的和实验性的影片和纪录片的传统。本文作者基于安德鲁.罗丝的观点,即“绿色”文化研究不应只关注“生态的影像”,还应关注“影像的生态”,深入探究了电影文化在物质、社会和视觉层面上的生态价值和意义。
In the series of essays and monographs published about 10 years ago, the emerging field of “film ecocriticism” began to take shape. This article reviews the major developments and achievements in this area so far and makes recommendations for its further growth in the future. From a variety of cognitive perspectives, the article examines (Hollywood) the tradition of producing popular and experimental films and documentaries independently. The author of this paper, based on Andrew Rose’s view, points out that the study of “green” culture should not only focus on “ecological images”, but also pay attention to “the ecology of images” and probe into the ecological, cultural, social and visual aspects of film culture Value and meaning.