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杖鼓在宋代教坊乐中占有十分重要的地位。但是,在宋前文献中却很少见到此名称。杖鼓之名为何在宋代突然显赫?它属于何种形制的鼓类乐器?如何演奏?其名称如何产生?有无历史渊源?如何演奏其名称如何产生?有无历史渊源?诸如此类的问题,有必要进行考索辨析,以求洗出其真面。北宋沈括《梦溪笔谈》云:“唐之杖鼓,本谓之两杖鼓,两头皆用杖。今之杖鼓,一头以手拊之,则唐
Cane drum in the Song Dynasty Square occupies a very important position. However, this name is seldom seen in pre-Song literature. Why the name of the stick and drum suddenly became prominent in the Song Dynasty? What kind of drum instruments did it belong to? How did it play? How did its name appear? Has its history originated? How did it play its name? Has history? Necessary for test analysis, in order to wash out its true face. Northern Song Shen Kuo, “Meng Xi Bi Tan” cloud: "Tang stick drum, the so-called two stick drum, both with a stick.