论文部分内容阅读
本文通过造像式样与题记内容的分析判定了一件未曾介绍过的青州北魏造像。并且就该造像上精美的线刻供养人画像,结合汉代至北朝末年期间的其他石刻线画,探讨了中国古代石刻线画与绘画线描技术的发展变化过程。通过这件罕见的造像线刻画,可以证实六朝画风从密体向疏体演变这一重大变化,反映了南朝画风对北朝造像的深刻影响,表现出当时南北文化、经济的密切往来交流。
In this paper, through the analysis of the imagery and inscription content, we judge a piece of Qingzhou Northern Wei sculpture that has never been introduced. In the meantime, on the basis of exquisite line carvings and portraits on the statues, this paper discusses the development and changes of line drawing techniques of ancient Chinese stone carvings and paintings combining with other stone carvings from the Han Dynasty to the Northern Dynasties. Through this rare line of portraiture, we can confirm the major change in the style of painting in the Six Dynasties from the dense body to the loose body, which reflects the profound influence of the style of the Southern Dynasties on the statues of the Northern Dynasties and the close exchange of culture and economy between North and South at that time.