读了《戏剧报》上关于如何正确评价传统剧目的讨论文章,受到很大启发。传统剧目需要讨论的问题很多,比如历史真实和现实意义的矛盾就是一个不易解决的问题。我想就这个问题谈一些不成熟的看法,就教于前辈和同志们。整理改编传统剧目和古典作品,也和新编历史剧一样,我们常常要求它们既有现实意义,又符合历史真实,做到两者的统一。但是实际上,要做到这种统一是很不容易的,两者常常出现矛盾。比如《红楼梦》对封建社会的揭露是很深刻的,越剧《红楼梦》是早有定评的优秀剧作,但是一些学生家长害怕孩子看了会学贾宝玉的不读书,还想方设法蒙骗大人。莆仙戏 It was greatly inspired to read the articles in The Drama Newspaper on how to correctly evaluate traditional plays. Traditional repertoire needs to be discussed many issues, such as the contradiction between the true and the true meaning of the history is a problem not easy to solve. I would like to talk about some immature opinions on this issue and teach them to predecessors and comrades. Organizing and revising traditional repertoire and classical works is just like revising the historical drama. We often demand that both of them be realistic and consistent with the reality of history so as to achieve the unification of the two. However, in fact, it is not easy to achieve such a reunification, and conflicts often arise between the two. For example, “Dream of Red Mansions” exposes the feudal society is very profound, Yue Opera “Dream of Red Mansions” is an excellent drama has long been rated, but some parents are afraid of children read a book to learn Jia Baoyu, but also find ways to deceive adults. Puxian opera