1929年教育部全国美展工艺美术家出品涵盖面极广,然而从展品的缺乏创新可管窥此际工艺美术发展的危机。参展工艺美术家表现出的职业取向模糊化趋势与这种危机互为因果。工艺美术家对自身专业身份的不认同,肇因于工艺美术学科之范畴的模糊,也源于工业化发展所造成的手工艺“去主体”倾向和传统社会“重道轻技”的观念惯性。 In 1929, the National Art Exhibition of Arts and Crafts of the Ministry of Education produced a very wide range of coverage. However, from the lack of innovation in the exhibits, the crisis in the development of arts and crafts can be grasped. Participating arts and crafts artists showed a blur of occupational trends and the crisis of mutual causal. Arts and crafts artists do not agree with their professional identity due to the ambiguity of the arts and crafts disciplines, but also from the handicraft caused by the industrialization development and the tendency of “going to the main body” and the traditional society. Conceptual inertia.