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从审美理论的核心问题即审美术体入手，分析了儒道两家对作为审美本体的“道”的不同解说，即儒家是伦理之道，道家是自然之道。立足于不同的审美本体论，儒家把审美过程看作是一种以情感为中介的感性活动，即感性观照；而道家则把审美过程理解为一种超感性的纯主观的心灵活动，即内省体验。这决定了儒家审美理论的功利色彩和道家审美理论的超功利性。并从美学史的角度，论述了儒道审美理论从对立走向融合的历史过程。
Starting from the core of aesthetic theory, that is, the aesthetic body, the two different interpretations of Confucianism and Taoism as the “Tao” of aesthetic body are analyzed. That is Confucianism is ethics, Taoism is nature. Based on the different aesthetic ontologies, Confucianism regards the aesthetic process as an emotional activity mediated by emotion, that is, the sentimental perspective. The Taoist interprets the aesthetic process as a super-sensitive and purely subjective spiritual activity, that is, within Provincial experience. This determines the utilitarian color of Confucian aesthetic theory and the super utilitarian nature of Taoist aesthetic theory. And from the perspective of the history of aesthetics, it expounds the historical process of the esthetics theory of Confucianism and Taoism from opposition to integration.