明治时代以后,中日文学交流特别是日本对中国古典文学的关注虽然较之前的时代都要式微许多,但始终没有中断。通过对《聊斋志异》的翻译出版和翻案再创作这两个方面的调查梳理,揭示了从1887年首译本问世到21世纪的今天,每隔数年都会有《聊斋志异》的译本或是以它为底本的改作、再创问世。以《聊斋志异》为代表的中国古典文学作品仍然是两国人民内心精神追求和情感诉求联系的纽带。 After the Meiji Era, Sino-Japanese literary exchanges, especially Japan’s concern with Chinese classical literature, were somewhat less frequent than in the previous era. However, they were never interrupted. Through the investigation of the two aspects of the translation and re-creation of Strange Stories from a Chinese Studio, we reveal that from the first translation of 1887 to the 21st century, translations of Strange Stories from a Liao Studio are available every few years or It is based on it for the change, create again. The Chinese classical literature represented by “Liao Zhai Zhi Yi” remains the link between the inner spiritual pursuit and the emotional appeal of the two peoples.