论文部分内容阅读
对经典文本的疏离与消解 ,拒绝提供“精神镜像” ,摆脱文学由来已久的精英主义与启蒙主义理想 ,直逼形而下 ,认同世俗 ,放逐欲望 ,在同一个平面上与当代生活同流合污 ,已构成了近年来文学写作观的转型。这种转型从一个极端走到另一个极端 ,虽然有其过激和消沉之处 ,但其把文学从本质叙事的玄虚格局中重新归位于普通百姓的生存本真 ,还文学以久违了的民间色彩和大众色彩 ,使新中国文学从来没有像今天这样贴近现实 ,贴近民间 ,贴近大众。在政治、经济和文化的多重结构中 ,保持文学与历史对话 ,与现实对话 ,这成为近年来新生代作家的求真之道。新生代作家的这种价值取向 ,应该说是对文学艺术品格的新的奠基。
Alienated and dissolved the classic texts, refusing to provide a “spiritual image” and getting rid of the elite and enlightenment ideal of literature for a long period of time forced us to conform to the metaphysics and seclusion, recognized secularism, exiled desire, and shared the same pollution with contemporary life on the same plane In recent years, the transformation of literary writing concept. Although this transition from one extreme to the other extremes has its excesses and depression, it has reoriented literature from the mysterious pattern of essential narratives to the real life of ordinary people, And the general public so that new Chinese literature has never been as close to reality as it is today, that it is close to the people and that it is close to the public. In the multiple structures of politics, economy and culture, maintaining dialogue between literature and history and dialogue with reality has become the way of seeking truth for the new generation of writers in recent years. This value orientation of the new generation of writers should be said that it is a new foundation for the literary and artistic quality.