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本次课题项目是一部VR纪录片。我们的内容,就像它的名字一样,霓裳在中国也有意指汉服的意思。我们通过网上关于汉服古代的相关制式资料及图片,分别设计出了汉、唐、明三个在中国古代最具有象征性的朝代中,所出现的传统的女性汉服之一。由于汉服制式的严谨性,在前期的查阅资料与设计中花费了不少时间,再将设计的样式寻找合适的店家进行定做,所以在前期不但花费了许多的时间,也花费了许多的资金。但是这一切都是值得的,我们的汉服成品最后无论在质感还是,制式上都比较理想。在前期不仅还要对汉服的制式做了相关研究,我也负责了对于本片的剧本以及分镜进行了详细的设计,也获得了组员与指导老师的肯定;在中期的拍摄阶段,我为了尽量还原从前那种复古的偏暖画面,体现我国古代传统服饰的优雅与美丽,起到弘扬我们中华传统文化的效果,我在拍摄时,对灯光也进行了详细的设计,由于想还原古代时的复古美,我组决定全片在影棚中进行拍摄,并使用绿色背景布,为了后期的绿布抠像,将背景换成画纸,对影片的复古尽量进行还原,并全权负责了全片的拍摄;在后期制作上,片头我组采用二维动画进行全片的引导,再进行绿布抠像,尽量使画面做到惟妙惟肖。
This project is a VR documentary. Our content, just like its name, colorful clothes in China also means the meaning of Chinese clothing. Through the online information about the ancient Chinese style of the Han Dynasty, we have separately designed three Han Chinese, Tang and Ming dynasties, one of the traditional female Han dresses appeared in the most symbolic dynasties in ancient China. Due to the strictness of the Chinese style clothing, spent a lot of time in the early access to information and design, and then look for the design of the right store for custom, so in the early stage not only spent a lot of time, but also spent a lot of money. But all this is worth it, the final of our Hanfu finished in terms of texture or, the system is more ideal. In the early period, not only did the research on the style of the Chinese clothing be done, but I also took charge of the detailed design of the script and the lens of the film, as well as the affirmation of the members and the instructor. During the medium shooting stage, I In order to try to restore the kind of vintage warm picture, reflect the ancient Chinese traditional costumes elegant and beautiful, play our traditional Chinese culture to promote the effect, I was shooting, the lights were also detailed design, due to want to restore the ancient When the group of the United States, I decided to set the whole film in the studio shooting, and the use of green background cloth, green cloth keying for the later, the background into paper, the retro as far as possible to restore the film, and full responsibility for the whole Filming; in post-production, the title I group using two-dimensional animation for the whole film guide, and then green cloth keying, try to make the picture be vivid.